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Ray Stevenson

Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel. It is a film that simply fades into the background of other films, both already produced and still-to-come.

Billy Bob Thornton’s ‘Jayne Mansfield’s Car’ Stalls Out

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There was a time when it looked like not only would Oscar winner Billy Bob Thornton be one of our great actors but possibly a threat behind the camera as well. Everyone knows the impression of his character from “Sling Blade” but many forget that he directed it as well. He followed that up with the flawed but ambitious and interesting “All the Pretty Horses.”

‘G.I. Joe: Retaliation’ Almost Turns Macho Stupidity Into Art

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “G.I. Joe: Retaliation” is the kind of dumb summer action blockbuster that works in the season when the kids aren’t in school and the movie theater is used as an excuse to get in the air conditioning as much as see anything approaching filmmaking. It nearly works in March. Nearly.

‘The Three Musketeers’ Lets Down Legendary Heroes

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Seriously?!?! Another “The Three Musketeers”?!?! Just because source material is beloved, why does it need to be remade over and over again? Perhaps Paul W. S. Anderson’s new take on the legendary trio complete with “Resident Evil”-esque action sequences can serve as the final word on this over-done story although if it somehow ends being the only version that future generations end up seeing they will surely wonder why such a boring tale was retold so many times in the first place.

Despite Loveless Love Story, ‘Thor’ Deserves Your Popcorn-Flick Dollar

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When big-budget films set their sights on being the next Hollywood blockbuster, they’re almost always built on a formulaic groundwork of proven ingredients. While these films often lose points for much of the same and little of the new, plunking a mighty $150 million into the production “Thor” has found a way to be both formulaic and successful.

‘Kill the Irishman’ Offers History as Explosions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The amalgamation of big time unions and organized crime in post-WW2 industrial America is as enlightening as any struggle for power. Cleveland, Ohio, in the 1950s thru the ‘70s was both on the waterfront and had the East Coast influence of New York City’s most notorious crime families. That history is wasted in “Kill the Irishman.”

‘Cirque du Freak: The Vampire’s Assistant’ With John C. Reilly Not Freaky Enough

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For everything that Paul Weitz’s “Cirque du Freak: The Vampire’s Assistant” does right, there’s something about the film that just doesn’t work. More manic than quirky and more cluttered than consistent, “Cirque” features a few great performances and interesting characters but they’re sabotaged by the other members of this cinematic freak show.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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