Ray Stevenson

Rating: 2.0/5.0

CHICAGO – Seriously?!?! Another “The Three Musketeers”?!?! Just because source material is beloved, why does it need to be remade over and over again? Perhaps Paul W. S. Anderson’s new take on the legendary trio complete with “Resident Evil”-esque action sequences can serve as the final word on this over-done story although if it somehow ends being the only version that future generations end up seeing they will surely wonder why such a boring tale was retold so many times in the first place.

Rating: 3.5/5.0

CHICAGO – When big-budget films set their sights on being the next Hollywood blockbuster, they’re almost always built on a formulaic groundwork of proven ingredients. While these films often lose points for much of the same and little of the new, plunking a mighty $150 million into the production “Thor” has found a way to be both formulaic and successful.

Rating: 2.0/5.0

CHICAGO – The amalgamation of big time unions and organized crime in post-WW2 industrial America is as enlightening as any struggle for power. Cleveland, Ohio, in the 1950s thru the ‘70s was both on the waterfront and had the East Coast influence of New York City’s most notorious crime families. That history is wasted in “Kill the Irishman.”

Rating: 2.0/5.0

CHICAGO – For everything that Paul Weitz’s “Cirque du Freak: The Vampire’s Assistant” does right, there’s something about the film that just doesn’t work. More manic than quirky and more cluttered than consistent, “Cirque” features a few great performances and interesting characters but they’re sabotaged by the other members of this cinematic freak show.