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Tense Creepy Factor Along the Way for ‘It Follows’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a particular atmosphere in “It Follows,” that stalks a viewer long after the credits recede. That is a fine legacy for a horror film, which contains symbolic elements of life itself, and some graveyard humor that breaks the agitation. Yet it also relies on the same old, same old.

Hidden Gem ‘The Last Five Years’ Launches Anna Kendrick as a Serious Singer

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Perhaps you’ve heard Anna Kendrick dabble in that thing called “singing” with her cutesy “Cups” on the radio, her runaway princess role in “Into the Woods” or “Pitch Perfect”. But apparently it takes an under-the-radar indie film that adapts a commercially failed off-Broadway play for her to shine as a dramatic actress and especially carry the tune as a powerful, spine-chilling singer.

More Questions Than Answers in ‘Supermensch: The Legend of Shep Gordon’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Not much is really revealed about the subject of the documentary “Supermensch: The Legend of Shep Gordon,” co-directed by comedian Mike Myers. Shep is a rock star agent, Shep gets rich, Shep shares his Hawaiian beach condo with big stars, Shep represents gourmet chefs, Shep likes to cook and Shep strangely wants kids, despite being in his sixties and not being able to maintain any domestic relationship. There is no there in this film, only the spoils of good representation.

‘Fed Up’ is a Cautionary Story for All of Us

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Here’s the deal, America. We’ve got some powerful mega-corporations who manufacture food to make a profit. What makes us buy food? Taste. The reason the obesity rates are skyrocketing has to do with the additives – mostly sugar – that these mega-corps are adding to give their food taste. It’s all exposed nicely in the new documentary, “Fed Up.”

Errol Morris’ ‘The Unknown Known’ Seeks Donald Rumsfeld

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The reason some people fit into government service is fairly well-defined in the latest film by iconic documentary-maker Errol Morris. His profile of ex-Secretary of Defense Donald Rumsfeld in “The Unknown Known” is a tale of history – affected by war, death, torture and justification. The power of government men in suits and what happens when the power is realized flows through Rumsfeld like water through a faucet, and who or what shuts it off, is often determined by the title of the film.

‘Inequality for All’ Becomes a Cry for Democracy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the more underreported stories of the past year is that income inequality – the gap between the wealthiest one percent in the U.S. versus the rest of the population – is at historic highs. When that balance of power is tilted, the result is documented in the new film, “Inequality for All.”

Notoriety Triggers the Breaking Point in ‘Lovelace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

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