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Omar Metwally

Liam Neeson Can’t Bring ‘Non-Stop’ in On-Time

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

I’m a sucker for a well-toasted slice of escapism that employs a singular setting to maximum impact. Liam Neeson trapped on a plane with a devious killer who’s trying to extort $150 million from him? Where do line up to buy a ticket? Seriously, this is the kind of Oscar counter-programming that I love this time of year—turn off your mind and take a trip with “Non-Stop”.

‘City of Your Final Destination’ Isn’t Worth a Visit

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Although “City of Your Final Destination” is not the latest installment of the Rube Goldberg-inspired splatter series, it does seem to be populated with the walking dead. The only similarity shared between the “Final Destination” franchise and this picturesque drama is an overwhelming abundance of tedium, generated by a plot that often seems as stagnant as its listless characters.

‘Rendition’ a Mediocre Message Movie With What Should Be Self-Evident Politics

HollywoodChicago.com Oscarman rating: 3/5AUSTIN, Texas – German writer Franz Kafka meets the war on terror in “Rendition,” which is a message movie with what one would consider a self-evident message: torture is bad. We live in a political climate, though, where that isn’t self-evident.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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