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Mickey Rourke

‘Immortals’ is Model of a Modern Major Epic

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The sword and sandals epic has been around since the costume department fashioned the first toga. A modern take on this tried-and-true story line is “Immortals,” using the latest computer generated imagery to create the gods of Mount Olympus, the mortals of ancient Greece and their severed heads in 3D.

Mickey Rourke, Megan Fox Sleepwalk Through ‘Passion Play’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Mickey Rourke must be a publicist’s nightmare. In the last few weeks, he’s been going around giving refreshingly honest reviews of his new film “Passion Play,” co-starring Megan Fox, Bill Murray, and Kelly Lynch and opening in New York and Los Angeles today, May 6th, 2011. He went as far as to call the film “terrible,” which might make viewers even more curious before this thing hits DVD at the end of this month. Is it THAT bad? Would Mickey lie to you?

Sylvester Stallone, Jason Statham Are Halfway in ‘The Expendables’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Seeing them all together was fun. Enduring some macho joshing, even in the form of stiff dialogue, was tolerable. But doing a bad, boring action movie with Sylvester Stallone trying to prop up his “legacy” was sadly too much to bear. Jason Statham, Jet Li, Mickey Rourke, Bruce Willis and Arnold Schwarzenegger are among “The Expendables.”

Despite Some Superfluous Story, ‘Iron Man 2’ Delivers Hollywood Oomph

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Iron Man 2” with returner Robert Downey Jr. and newcomer Scarlett Johansson does what it can within the confines of what it has to do. The Hollywood machine has trained us to have certain expectations for blockbuster sequels and “Iron Man 2” neither deviates nor blazes new territory.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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