Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – “The Artist” is the kind of film for which a critic feels an added responsibility. The fact is that I know that a large number of readers won’t go anywhere near a movie that is described as “a black & white ode to silent films.” Eek. Sounds like torture. And yet, I also know for a fact that a vast majority of those same readers would LOVE “The Artist.” This is a stellar piece of filmmaking, one of the best of the year. Jump on the bandwagon early for what will surely be one of the major players of the upcoming awards season.
CHICAGO – It’s no mystery why the appeal of spy satires transcend the boundaries of time and culture. Clueless detectives with a bloated sense of self-importance are great comic punching bags. Everyone loves seeing a doofus get his head slammed in a door, whether that doofus be Inspector Clouseau or Lt. Frank Drebin or countless other law officers who could easily blend in with the Keystone Kops.