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Michel Hazanavicius

‘The Artist’ is Magical Ode to Old Hollywood

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “The Artist” is the kind of film for which a critic feels an added responsibility. The fact is that I know that a large number of readers won’t go anywhere near a movie that is described as “a black & white ode to silent films.” Eek. Sounds like torture. And yet, I also know for a fact that a vast majority of those same readers would LOVE “The Artist.” This is a stellar piece of filmmaking, one of the best of the year. Jump on the bandwagon early for what will surely be one of the major players of the upcoming awards season.

Inferior Sequel ‘OSS 117: Lost in Rio’ Mostly Falls Flat

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s no mystery why the appeal of spy satires transcend the boundaries of time and culture. Clueless detectives with a bloated sense of self-importance are great comic punching bags. Everyone loves seeing a doofus get his head slammed in a door, whether that doofus be Inspector Clouseau or Lt. Frank Drebin or countless other law officers who could easily blend in with the Keystone Kops.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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