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Michael Winterbottom

Frieda Pinto Takes a Sad, Tragic Journey in ‘Trishna’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Transitions are one of the juiciest themes to have in a film, as a character or circumstance takes a path from one way-of-life to another. Director Michael Winterbottom has created “Trishna,” a story based on a 19th Century British novel, but woven into the present day India. Frieda Pinto (“Slumdog Millionaire”) stars as the title character.

‘The Trip’ Hilariously Reunites Steve Coogan, Rob Brydon

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are few things more cinematically depressing than a funny comic trapped in an unfunny movie. Think Larry David in “Whatever Works.” Scene to scene, his eyes repeatedly indicate that there’s a funnier punchline residing in his mischievous skull than there is in the lifeless script. You know a picture’s in trouble when you find yourself yearning to watch the actor eat lunch rather than finish the godforsaken movie.

‘The Killer Inside Me’ a Study in Sociopathic Blandness

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Michael Winterbottom’s ’50s-era neo-noir “The Killer Inside Me” creeps up on you in the creepiest possible way. Just as I was ready to write it off, I ended up caving in to its charms, or lack thereof. This film often seems as utterly cuckoo as its central antihero, and that’s what makes it so darn mesmerizing. Sure, it’s sort of a mess, but boy is it engrossing, with a strong emphasis on the gross.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

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