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Michael Gambon

It All Ends With Satisfying ‘Harry Potter and the Deathly Hallows: Part 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – So this is how it ends – not with a whimper but with a big, magical bang. After a decade of captivating movie audiences worldwide, will “Harry Potter and the Deathly Hallows – Part 2” appease the fans who have been eagerly anticipating the end of the saga of the boy who lived? It almost certainly will.

Colin Firth, Geoffrey Rush Star in Confident ‘The King’s Speech’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tom Hooper’s “The King’s Speech” has been barreling through the awards season with a number of significant nominations, including six from the Chicago Film Critics Association just today. I understand why. The film does nothing wrong. It features confident production values and good performances but never reaches the peak of excellence for this critic. “The King’s Speech” is a good film that’s been inflated by some viewers to great even if it doesn’t quite deserve the throne.

‘Harry Potter and the Half-Blood Prince’ Discovers the Wizard of Awe

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The Harry Potter phenomenon, born from the pen of J.K. Rowling and nurtured through the utter magic of modern filmmaking, has reached a monumental creative peak with the film “Harry Potter and the Half-Blood Prince.”

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  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

  • Romeo and Juliet, Lyric Opera of Chicago

    CHICAGO – The familiar story of the “star crossed lovers” by William Shakespeare, “Romeo and Juliet,” has been given as many interpretations over the years as there are stars in the sky. The Lyric Opera of Chicago presents the operatic French version, with a bright and venerate staging.

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