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Michael Douglas

Gina Carano, Ewan McGregor in Steven Soderbergh’s ‘Haywire’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Steven Soderbergh is one of the few directors who can do whatever the hell he wants. Whatever genre, whomever he casts, whichever story he chooses to tell – he pulls it off. He hasn’t made anything approaching a stumble since 2004’s “Ocean’s Twelve” (and, believe it or not, there have been eight films released since including this one) and his latest, “Haywire,” serves as further evidence that any conversation of the best working directors that doesn’t include him is incomplete.

Shia LaBeouf, Michael Douglas Drive Energetic ‘Wall Street: Money Never Sleeps’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”. The film is a great vehicle for Shia LaBeouf, Josh Brolin and Michael Douglas that occasionally disappoints but crackles more often than it fizzles.

Matthew McConaughey’s ‘Ghosts of Girlfriends Past’ Overdone, But Relatable

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Ghosts of Girlfriends Past” is the cinematic blending of two familiar formulas: the “love, lose and then love again” framework of most romantic comedies with the idea of transforming ghosts from the classic “A Christmas Carol”. The result: an overdone yet relatable story of a man coming to terms with his true desires.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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