Michael Bay

‘Transformers: The Last Knight’ is Bizarrely Enjoyable

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course.

‘Transformers: Age of Extinction’ Most Tolerable of Series

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’ll say this for “Transformers: Age Of Extinction,” it’s the most tolerable Transformers movie Michael Bay has ever made. The substitution of Mark Wahlberg for Shia LaBeouf is a big part of that – and for its first two hours at least, Bay realizes less is more.

Clever Cast Can’t Quite Save Crazy ‘Pain & Gain’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Michael Bay’s “Pain & Gain” tells such a ridiculous story that it has to be true. Based on the infamous case of the Sun Gym Gang, a trio of bodybuilders who committed some unspeakable, bizarre crimes, “Pain & Gain” nearly works through the sheer charisma and talent of its A-list cast.

‘Transformers: Dark of the Moon’ Gets Adrenalin Pumping

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The final 45 minutes of “Transformers: Dark of the Moon” are such an orgy of CGI insanity, falling skyscrapers, and battling robots that the film approaches some sort of summer movie nirvana, or at least it will for the right audience. There’s little debate that the Chicago-set climax of Michael Bay’s third film based on Hasbro’s line of toys delivers what it promises.

MIchael Bay-Produced ‘I Am Number Four’ a Solid Block of Superhero Gouda

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – While the new sci-fi/superhero film “I Am Number Four” can be easily dismissed as yet another “Twilight” knockoff, the power of two mega-producers arms the film with nearly as much right as it does wrong. Thankfully for Chicagoans the film doesn’t star Brett Favre because of his numerical jersey affiliation, but with a story this weak, that stretch wouldn’t be too far.

Lack of Originality, Actual Scares Render Marcus Nispel’s ‘Friday the 13th’ Ineffective

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Your reaction to Marcus Nispel’s “Friday the 13th” is likely to depend on how nostalgically you remember the original and how you reacted to producer Michael Bay’s “remakes” of “The Amityville Horror,” “The Hitcher,” and “The Texas Chainsaw Massacre”.

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  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

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