Matt Fagerholm

Rating: 4.0/5.0

CHICAGO – Nothing inspires moviegoers to huddle around the warm glow of their television sets quite like a record-breaking snowstorm. And few films were more tailor-made for a slow-moving snow day than “Cold Weather,” the entrancing new picture from indie filmmaker Aaron Katz, best known for his breakout projects “Dance Party, USA” and “Quiet City.”

Rating: 3.0/5.0

CHICAGO – “What you are about to see now may traumatize you for life.” So reads a warning near the beginning of Finnish filmmaker Jalmari Helander’s 2005 short, “Rare Exports: The Official Safety Instructions.” The film was a clever follow-up to his 2003 effort, “Rare Exports Inc.”, which seemed to milk its one-joke premise for all it was worth.

Rating: 4.5/5.0

CHICAGO – If the objective of war is to drain the enemy of all humanity, then “Four Lions” is one of the best anti-war movies in recent years. Many people prefer thinking of terrorists in the same abstract terms that the terrorists themselves think of their victims. If war is all about demonizing “the other side,” how can we ever hope to come to a mutual understanding?

Rating: 3.0/5.0

CHICAGO – Now that the third and final installment of Stieg Larsson’s posthumously published, phenomenally popular book series has been turned into a feature film, the questions emerges: ‘Was it worth it?’ To the worldwide box office and the creatively bankrupt Hollywood, of course it was. But were moviegoers truly satisfied by the experience?

Rating: 3.5/5.0

CHICAGO – When Barack Obama took to the podium at Grant Park and gave his acceptance speech on the evening of November 4, 2008, his face appeared strangely reserved. His eyes did not reflect the overwhelming excitement of his supporters. Their grassroots efforts led to the election of a candidate whose popularity transcended national boundaries, injecting cynics with hope.

Rating: 3.0/5.0

CHICAGO – “Red White & Blue” is a deviously effective horror film precisely because it doesn’t appear to be one. There are subtle stylistic hints here and there, but nothing that truly signals the horrors to come. They emerge not from left field, but out of the characters’ own pent up rage, and their increasing desire to inflict pain upon the world that has failed them.

Rating: 3.5/5.0

CHICAGO – Though “It’s Kind of a Funny Story” is the third feature film from Ryan Fleck and Anna Boden, it’s the duo’s first picture that feels like it was made by first-time filmmakers. While their previous two features, “Half Nelson” and “Sugar,’ were entrenched in documentary realism and exuded the assurance and nuance of master filmmakers, this latest effort feels oddly programmed for mainstream consumption.

Rating: 4.5/5.0

CHICAGO – The power of a single image is often far greater than any amount of written words. In a culture as visually over-saturated as our own, it’s so easy to take images for granted. Our days are too hectic, and our minds are too cluttered to view every piece of footage filtered down to us from the mainstream media with the same critical eye and healthy dose of skepticism.

Rating: 5.0/5.0

CHICAGO – “Dying would be the ultimate trip.” This line is uttered early on in “Enter the Void,” the extraordinary new film from Gaspar Noé, a director who enjoys referencing his previous work almost as much as his hero, Stanley Kubrick. This line pays subtle homage to the “2001: A Space Odyssey” poster prominently framed toward the end of Noé’s previous film, “Irreversible.”

Rating: 3.5/5.0

CHICAGO – If there’s one genre Hollywood has managed to screw up beyond all recognition, it’s the romantic comedy. Many of the worst films in recent years have brought the genre to an all-time low, such as “Leap Year,” “Love Happens,” and anything starring Gerard Butler. These dumbed-down products use stereotypes in place of characters, incessant sparring in place of chemistry and gooey sentiment in place of a tangible heart.