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Martin Sheen

Author Remains Elusive in Documentary ‘Salinger’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jerome David Salinger, J.D. to his readers, remains one of the most influential and controversial authors of the 20th Century. Known intuitively for the classic novel “Catcher in the Rye,” he also was known as a reclusive soul. His life and times make up the new documentary, “Salinger.”

‘The Amazing Spider-man’ Lacks Personality Despite Best Efforts by Talented Stars

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – They could have called it “The Meh Spider-man.” While Andrew Garfield, Emma Stone, Denis Leary, Sally Field, and Martin Sheen do their absolute best to elevate one of the most generic and uninspired superhero screenplays since men first put on spandex in front of the camera, they can’t save this wasted opportunity to reboot a franchise in a way that doesn’t feel generated by a committee of Marvel producers.

‘The Double’ Copies Lazy Performances, Silly Twists

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – It’s ironic that a film called “The Double,” starring Richard Gere & Topher Grace, would remind one of so many superior thrillers. It is in itself a double, a carbon copy of better films that focuses on all of the wrong elements, thinking that audiences are still dumb enough that just throwing twist after twist at them will keep their head spinning enough to not realize that what they just saw not only makes no sense at all but wasn’t even remotely entertaining.

‘Imagine That’: Eddie Murphy’s Family Fare Predictable as Sunrise

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Nobody expects an actor to maintain the ambitions of their early career. The manic energy of Eddie Murphy from “Raw” or “48 Hours” is as gone as an ‘80s hairdo. But the numbing sameness of family-friendly Eddie is a direction that is stultifying, and does no favors for him or the audience.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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