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Martin Sheen

Two Stories Clash in Uneven ‘Rules Don’t Apply’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

‘Selma’ a Powerful Reminder that History Does Repeat

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – With exquisite timing, the historical docudrama “Selma” will ring in 2015, and adds to the race-oppression-in-America debate that everything old is new again. Set in 1965, it is the courageous story of Dr. Martin Luther King Jr., and the ordinary citizens that fought for the right to vote.

Author Remains Elusive in Documentary ‘Salinger’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jerome David Salinger, J.D. to his readers, remains one of the most influential and controversial authors of the 20th Century. Known intuitively for the classic novel “Catcher in the Rye,” he also was known as a reclusive soul. His life and times make up the new documentary, “Salinger.”

‘The Amazing Spider-man’ Lacks Personality Despite Best Efforts by Talented Stars

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – They could have called it “The Meh Spider-man.” While Andrew Garfield, Emma Stone, Denis Leary, Sally Field, and Martin Sheen do their absolute best to elevate one of the most generic and uninspired superhero screenplays since men first put on spandex in front of the camera, they can’t save this wasted opportunity to reboot a franchise in a way that doesn’t feel generated by a committee of Marvel producers.

‘The Double’ Copies Lazy Performances, Silly Twists

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – It’s ironic that a film called “The Double,” starring Richard Gere & Topher Grace, would remind one of so many superior thrillers. It is in itself a double, a carbon copy of better films that focuses on all of the wrong elements, thinking that audiences are still dumb enough that just throwing twist after twist at them will keep their head spinning enough to not realize that what they just saw not only makes no sense at all but wasn’t even remotely entertaining.

‘Imagine That’: Eddie Murphy’s Family Fare Predictable as Sunrise

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Nobody expects an actor to maintain the ambitions of their early career. The manic energy of Eddie Murphy from “Raw” or “48 Hours” is as gone as an ‘80s hairdo. But the numbing sameness of family-friendly Eddie is a direction that is stultifying, and does no favors for him or the audience.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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