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Marley Shelton

Wes Craven Returns to Form With Entertaining ‘Scre4m’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Wes Craven’s legendary franchise returns this weekend with a decade since its last installment and to a genre that has been almost entirely bereft of creativity since its director started to lose his prominence as one of its best. Can “Scre4m” rejuvenate the slasher genre like the first film did or will it fall victim to the rule that horror sequels almost always suck?

‘Elektra Luxx’ Offers Middling Showcase For Carla Gugino

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Sebastian Gutierrez is the sort of filmmaker who thrives best on the festival circuit. His work is just quirky and distinctive enough to garner overenthusiastic praise from jaded festival goers in the mood for markedly lighter fare. Yet when screened out of the celebratory atmosphere at SXSW, Gutierrez’s films fail to register as anything more than mediocre trifles.

Art World Bares its Soul in Adam Goldberg’s Superlative ‘(Untitled)’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – One of the best and most exciting surprises of the 2009 film year is a smaller, claustrophobic film starring Adam Goldberg and set in the art gallery world of New York City. “(Untitled)” is an honest, uncompromising character study.

‘A Perfect Getaway’ With Steve Zahn, Milla Jovovich Delivers Thrills

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – David Twohy’s “A Perfect Getaway” is a surprisingly effective thriller, featuring good-to-great performances from Milla Jovovich, Timothy Olyphant, Steve Zahn, and Kiele Sanchez, and a taut, interesting screenplay with enough twists and turns to keep the audience entertained for its scant running time.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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