Malin Akerman

Rating: 3.5/5.0

CHICAGO – Don’t let the awful title fool you — “The Giant Mechanical Man” is not sci-fi. This cute dramedy tackles well-trod ground in the world of indie film but Lee Kirk conveys enough honest affection for his well-crafted characters that the piece works.

Rating: 3.5/5.0

CHICAGO – David Wain’s “Wanderlust” is a deeply flawed movie. The female lead is woefully underwritten and the script pretty much falls apart at the end as characters do things they wouldn’t do and it rushes to its credits to wrap everything up in an awkward montage. But here’s the thing – it’s also DAMN funny.

Rating: 2.0/5.0

CHICAGO – Josh Radnor’s “Happythankyoumoreplease” wants to be a new-generation Woody Allen film but misses the mark wildly by presenting characters that aren’t likable in situations that aren’t believable. None of the relationships that drive this awkward dramedy ring true and only a few supporting performances make the effort worthwhile as they highlight the weaknesses at the core of the manipulative script.

Rating: 3.0/5.0

CHICAGO – At some point in our lives, most of us have had to reach beyond our job descriptions to appease a demanding boss. Common themes from making coffee to picking up dry cleaning are familiar and often tolerated as one strives to “get ahead”.

Rating: 2.0/5.0

CHICAGO – For years, fans of Alan Moore and Dave Gibbon’s masterful and influential “Watchmen” have been waiting for a filmmaker willing to faithfully and slavishly adapt their favorite graphic novel. Well, we got what we wanted in Zack Snyder’s frame-copying vision of this legendary book, but as someone once said - You should be careful what you ask for because you just might get it.