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Malin Akerman

‘The Numbers Station’ Feels Made by a Computer

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – John Cusack’s new spy thriller is so routine, predictable, and dull that they could have called it “By-the-Numbers Station”. Too easy? How about “Paint-by-Numbers Station”? OK, I’ll stop now before @FakeShalit comes after me.

Jenna Fischer Stars in Sweet ‘The Giant Mechanical Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t let the awful title fool you — “The Giant Mechanical Man” is not sci-fi. This cute dramedy tackles well-trod ground in the world of indie film but Lee Kirk conveys enough honest affection for his well-crafted characters that the piece works.

Paul Rudd, Jennifer Aniston Take Funny Trip to Hippie Nirvana in ‘Wanderlust’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – David Wain’s “Wanderlust” is a deeply flawed movie. The female lead is woefully underwritten and the script pretty much falls apart at the end as characters do things they wouldn’t do and it rushes to its credits to wrap everything up in an awkward montage. But here’s the thing – it’s also DAMN funny.

‘Happythankyoumoreplease’ Falls Flat With Unlikable Characters

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Josh Radnor’s “Happythankyoumoreplease” wants to be a new-generation Woody Allen film but misses the mark wildly by presenting characters that aren’t likable in situations that aren’t believable. None of the relationships that drive this awkward dramedy ring true and only a few supporting performances make the effort worthwhile as they highlight the weaknesses at the core of the manipulative script.

‘The Proposal’ a Marriage of Talents From Ryan Reynolds, Sandra Bullock

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – At some point in our lives, most of us have had to reach beyond our job descriptions to appease a demanding boss. Common themes from making coffee to picking up dry cleaning are familiar and often tolerated as one strives to “get ahead”.

Zack Snyder Turns ‘Watchmen’ Into Loud, Disjointed, Brutal Mess

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For years, fans of Alan Moore and Dave Gibbon’s masterful and influential “Watchmen” have been waiting for a filmmaker willing to faithfully and slavishly adapt their favorite graphic novel. Well, we got what we wanted in Zack Snyder’s frame-copying vision of this legendary book, but as someone once said - You should be careful what you ask for because you just might get it.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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