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Mad Men

Elisabeth Moss Reigns Supreme in ‘Queen of Earth’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Elisabeth Moss is the ‘Actor of Her Generation.’ She is a true chameleon, and can anchor a lead role while still expressing a twitch of consequence. The subject is depression in “Queen of Earth,” and writer/director Alex Ross Perry is able to honestly portray it through Moss.

‘Are You Here’ Feels Like Mashup of Two Different Films

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You would think that a film written and directed by Matthew Weiner – the creator of “Mad Men” – would be worthwhile company, especially when the cast includes Zach Galifianakis, Owen Wilson and Amy Poehler. It is disappointing to note that not only was this cliché-ridden mess unpalatable, but it also switched gears two-thirds of the way through to evoke a different mood, and that schizophrenia didn’t help the overall product.

Painful, Depressing ‘Must Read After My Death’ Window Into the Dark Side of Family

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If someone had a recording of the dissolution of a seemingly perfect family, would you listen? What would you learn from it? You can test your answer to these questions with the riveting “Must Read After My Death”.

Great Performances Wasted in Sterile ‘Revolutionary Road’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Frank (Leonardo DiCaprio) and April Wheeler (Kate Winslet) refuse to believe that they’re like everyone else in the 1950’s suburbia of Sam Mendes’ frustrating “Revolutionary Road”. They may go to the same jobs and travel in the same social circles, but, unlike the bored housewives and husbands around them, they haven’t given up on their dreams.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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