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Laurence Fishburne

Direction Proves a Problem For Open Mic Drama ‘Rudderless’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Actor William H. Macy’s directorial debut “Rudderless” is a film of open mic songwriting that tackles a recovery from grief with neat lyrics and easy metaphors. Instead of standing out, Macy has provided another sap’s ballad that has the cuteness of “Kumbaya”, one that aims to please the crowd without challenging emotions, only presenting them.

Steven Soderbergh’s Riveting ‘Contagion’ With Matt Damon

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – A few weeks ago saw the release of the R-rated “Don’t Be Afraid of the Dark,” a gore-free creature feature that was given the MPAA stamp of 17-plus due to “pervasive scariness.” This week sees the PG-13-rated “Contagion,” a film SO much more pervasively scary than the movie about goblins in a distant mansion because, well, it’s about the fact that the world is pervasively scary.

Fishbone is Red Hot in ‘Everyday Sunshine: The Story of Fishbone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Everyday Sunshine: The Story of Fishbone” aspires to be more than an episode of “Behind the Music” and succeeds largely due to the amazing talent of the band it chronicles, the stunning, one-and-only Fishbone. It’s common for a critic to call a great, underrated band influential but Fishbone doesn’t really qualify because what they did was so unique that it’s impossible to copy.

Adrien Brody’s ‘Predators’ Unmemorably Lulls Through the Expected Motions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Good films deliver on their promise. Great films up the ante even more. In this version of the long “Predators” franchise from director Nimrod Antal (“Control,” “Armored,” “Vacancy”) and more-known producer Robert Rodriguez (“Grindhouse,” “Sin City”), we merely see more of the same: just enough to get us by but not nearly enough to make us care.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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