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Lauren Ambrose

Lauren Ambrose Shines in Heartbreaking Indie ‘About Sunny’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the annals of bad parenting portrayed on film, the heroine of Bryan Wizemann’s 2011 indie drama is a special case indeed. Though we watch helplessly as she makes countless bad decisions guaranteed to send her young daughter to intensive therapy, we don’t regard her as a sinister figure on the order of Monique’s monstrous matriarch in “Precious.” Our gaze is one of empathy.

Mike Birbiglia Steps Up in ‘Sleepwalk with Me’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s exciting to witness a breakthrough with a new film artist. The comedian Mike Birbiglia has adapted his one-man show, “Sleepwalk with Me,” into a movie, and the result is a naturalistic performance piece that plays both like a documentary and a Woody Allen film during the “Annie Hall” period. Birbiglia gets a little help from some friends like Lauren Ambrose, Kirsten Schaal, Wyatt Cenac and Amy Schumer.

Paul Rudd, Jennifer Aniston Take Funny Trip to Hippie Nirvana in ‘Wanderlust’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – David Wain’s “Wanderlust” is a deeply flawed movie. The female lead is woefully underwritten and the script pretty much falls apart at the end as characters do things they wouldn’t do and it rushes to its credits to wrap everything up in an awkward montage. But here’s the thing – it’s also DAMN funny.

Paul Giamatti Does More With Less in ‘Cold Souls’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – How is the best way to discover the elusiveness of the soul? For Paul Giamatti, playing himself, the key is to store the legendary organ into the deep freeze, in his new absurdist comedy, “Cold Souls.”

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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