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Kristen Connolly

Barry Levinson Jumps Into Found Footage Genre with ‘The Bay’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Perhaps the last person I would have expected to leap into the found footage genre made so popular in films like “Paranormal Activity” is the director of character-driven pieces like “Diner” and “Avalon” and yet here’s Barry Levinson’s “The Bay,” opening today, November 9, 2012 at the Music Box Theatre in Chicago. Levinson’s understanding of character elevates what could have been an absolute disaster but can’t save the film from its genre failures and lack of tension. It’s interesting but forgettable and sometimes frustrating.

Take a Trip to Drew Goddard’s Brilliant ‘The Cabin in the Woods’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Drew Goddard’s “The Cabin in the Woods” is a brilliant dissection of not just the clichés of the horror film genre but how they have played a role in the darkest corners of our society for centuries. It’s also a damn blast, as fun a time as you’ll have in a movie theater this season (and probably next). It’s one of those rare films that’s just pulsing with energy on so many levels — as genre-loving comedy, as straight-up horror, and as something you’ve simply never seen before. “The Cabin in the Woods” is a great film.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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