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Kiefer Sutherland

Explosive Conclusion is the Fate for ‘Pompeii’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – For a film in which everyone knows the ending walking in, “Pompeii” creates a decent good-versus-evil precursor to the volcanic big bang, and enough sword and sandals style fight sequences to provide some action. It all comes down to an active volcano, in modern digital design and 3D.

Lars Von Trier’s Mesmerizing ‘Melancholia’ Turns Depression Into Art

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Lars Von Trier’s “Melancholia” is a mesmerizing, haunting portrayal of the world-shattering force of depression from a filmmaker who has first-hand knowledge of the debilitating disease. With career-best work by Kirsten Dunst and some of the most confident filmmaking from its controversial director, this is one of the best films of 2011, a stunningly original examination of that which is completely out of our control.

DreamWorks’ ‘Monsters vs. Aliens’ Has Great 3D Concept, But Falls Flat

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hasn’t Pixar proven that animation can be more than just concept and celebrity voice work? The problem with “Monsters vs. Aliens” is that the team behind it clearly prioritized nearly every element of the film over actual storytelling.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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