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‘Kingsman: The Secret Service’ is Fun, Very Odd

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Part James Bond, part absurdist adventure, “Kingsman: The Secret Service” is nonetheless a romp, with Colin Firth handling the Brit spy role with a natural aplomb. If the notion of a super secret rogue spy agency under a London tailor shop is something that sounds intriguing, that doesn’t even begin to tell the tale.

Disappointing ‘Kick-Ass 2’ Replaces Style with Vulgarity

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence.

James Gunn’s Memorable ‘Super’ With Rainn Wilson, Ellen Page

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – A much darker cousin of Matthew Vaughn’s “Kick-Ass” by way of “Taxi Driver,” James Gunn’s “Super” is a tonally inconsistent comedy that nevertheless features one of my absolute favorite performances of the year so far and enough interesting ideas to warrant a look. If only those ideas were shaped into something a bit more coherent. “Super” could have lived up to its title.

Wildly Entertaining ‘Kick-Ass’ Lives Up to Its Title

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With a half dozen superhero movies every year that feel as if they were created by a Hollywood blockbuster machine, it’s so refreshing to see one with its own distinct, subversive personality like Matthew Vaughn’s “Kick-Ass”.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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