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Billy Bob Thornton’s ‘Jayne Mansfield’s Car’ Stalls Out

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There was a time when it looked like not only would Oscar winner Billy Bob Thornton be one of our great actors but possibly a threat behind the camera as well. Everyone knows the impression of his character from “Sling Blade” but many forget that he directed it as well. He followed that up with the flawed but ambitious and interesting “All the Pretty Horses.”

Uninspired ‘R.I.P.D.’ is a Reminder of Better Movies

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Did everyone see “Men in Black”? Or the film’s two sequels? They you saw “R.I.P.D.,” which unfortunately for the production team has “rip” in the title, because the film is a lazy rewrite and rip-off of “MiB.” Jeff Bridges and Ryan Reynolds are the protectors assigned in this one.

‘Footloose’ Remake Dances to Its Own Tune

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If you’re gonna cut loose, “Footloose,” it is best to do what the production team and cast did in cutting this remake of the 1980s kitschy classic – pay deep homage to the source and modify it with a energetic and contemporary spin on the dance floor.

Steve Carell, Ryan Gosling in Great ‘Crazy, Stupid, Love.’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Crazy, Stupid, Love.” is undeniably clichéd, broad in its humor, and a bit manipulative in its sentimentality, but it should be. This is a movie about grand statements, soulmates, and true passion, a film that unabashedly believes in the craziness and the stupidity of what we call love. It’s also one of the most purely entertaining films of the year.

Matthew Vaughn’s Entertaining, Stylish ‘X-Men: First Class’ Rocks

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Matthew Vaughn rights the ship of mediocre superhero movies with the incredibly accomplished “X-Men: First Class,” the best Marvel Movie since “Spider-Man 2” and a film that proves that big blockbuster summer entertainment can be both commercially crowd-pleasing and intellectually complex at the same time. “X-Men: First Class” features a spectacular mix of well-choreographed action, revisionist history, themes of tolerance, and great performances. This will be one of the best movies of this season.

James Gunn’s Memorable ‘Super’ With Rainn Wilson, Ellen Page

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – A much darker cousin of Matthew Vaughn’s “Kick-Ass” by way of “Taxi Driver,” James Gunn’s “Super” is a tonally inconsistent comedy that nevertheless features one of my absolute favorite performances of the year so far and enough interesting ideas to warrant a look. If only those ideas were shaped into something a bit more coherent. “Super” could have lived up to its title.

Frank Langella, Michael Sheen, Ensemble Save ‘Frost/Nixon’ From Soulless Direction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Peter Morgan’s play “Frost/Nixon” was a searing portrait of two men trying their best to change their image and their future. It was a head-to-head battle between a celebrity interviewer whose reputation was on a steady decline and the man credited with bringing shame to the White House.

Instead of Seeing ‘Death Sentence,’ I Would Have Welcomed a Death Sentence

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – When an everyday man goes seeking family justice, action-thriller “Death Sentence” teaches us this valuable lesson: Don’t hire Kevin Bacon for a role you wrote for Charles Bronson.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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