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Katie Featherston

Oversimplified ‘Paranormal Activity 4’ Insults Your Horror Intelligence Amid Waning Franchise

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Following the first “Paranormal Activity” in 2007, which is most profitable film of all time based on return on investment, filmmakers Jason Blum, Oren Peli and Henry Joost have made a killing for Paramount Pictures.

Prequel ‘Paranormal Activity 2’ Deftly Exploits a Baby as Emotional Scare Tactic

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – From its first “The Blair Witch Project”-like film in Sept. 2009, “Paranormal Activity” now reigns as one of the most profitable films ever made based on return on investment. But just a short 13 months later, “Paranormal Activity 2” returns to theaters with content and panic tactics that are much of the same.

Easily Scared Viewers Should Stay Away From Buzzed ‘Paranormal Activity’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Over the weekend, a little movie that cost reportedly $11,000 to make and was shot on one set made over $7 million at the box office. If you haven’t heard about the phenomenon that is “Paranormal Activity,” you’re simply not paying attention. The good news? Unlike a lot of highly buzzed films, this one lives up to the hype.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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