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Katie Cassidy

‘Monte Carlo’ is Cut Above Young-Women-Abroad Films

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nothing like a summer surprise at the movies to make the season a little more tolerable. Selena Gomez and the ubiquitous Leighton Meester take a sumptuous trip and brings us along in “Monte Carlo.”

‘A Nightmare on Elm Street’ Remake Plays Like a Bad Dream

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Samuel Bayer’s remake of Wes Craven’s “A Nightmare on Elm Street” may be about repressed memories coming back in horrific ways, but it ironically ends up one of the least memorable films of 2010 to date. Not as abrasive as the “Texas Chainsaw Massacre” remakes and not as dumb as “The Amityville Horror,” “A Nightmare on Elm Street” is merely forgettable; something never said about the influential original.

Liam Neeson Elevates Above-Average Action Movie ‘Taken’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Bringing the same screen presence and gravity that he has to more serious roles like those in “Schindler’s List” and “Kinsey,” Liam Neeson turns the relatively generic “Taken” into an above-average action movie that should prove a surprising alternative for movie goers looking for a break from Super Bowl coverage this weekend.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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