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Katie Cassidy

‘Monte Carlo’ is Cut Above Young-Women-Abroad Films

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nothing like a summer surprise at the movies to make the season a little more tolerable. Selena Gomez and the ubiquitous Leighton Meester take a sumptuous trip and brings us along in “Monte Carlo.”

‘A Nightmare on Elm Street’ Remake Plays Like a Bad Dream

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Samuel Bayer’s remake of Wes Craven’s “A Nightmare on Elm Street” may be about repressed memories coming back in horrific ways, but it ironically ends up one of the least memorable films of 2010 to date. Not as abrasive as the “Texas Chainsaw Massacre” remakes and not as dumb as “The Amityville Horror,” “A Nightmare on Elm Street” is merely forgettable; something never said about the influential original.

Liam Neeson Elevates Above-Average Action Movie ‘Taken’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Bringing the same screen presence and gravity that he has to more serious roles like those in “Schindler’s List” and “Kinsey,” Liam Neeson turns the relatively generic “Taken” into an above-average action movie that should prove a surprising alternative for movie goers looking for a break from Super Bowl coverage this weekend.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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