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Julia Roberts

Approach of ‘Money Monster’ is Pure Fraud

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In our society there is one eternal truth…the rich will ALWAYS win, that’s one of the reasons that they are rich. So when “Money Monster” attempts to take them down a peg with a ridiculous fantasy story, it’s as fraudulent as what they pretend to be fighting. An oligarch watches this, and laughs at us.

Family Secrets, Fine Acting in ‘August: Osage County’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There will be inevitable comparisons to the Pulitzer Prize-winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.

Julia Roberts Reflects on Snow White in ‘Mirror Mirror’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Since I know I’m the fairest of them all, I won’t focus on the symbolic impressions of ‘Mirror Mirror.’ This is the Snow White legend based on the original story by the Brothers Grimm, and includes Julia Roberts, Lily Collins, Armie Hammer and Nathan Lane in its cast.

Ryan Reynolds, Julia Roberts Trapped in Dull ‘Fireflies in the Garden’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – It’s always risky for a screenwriter to craft a film about a family of writers in that when the result is a script so generically awful as that for “Fireflies in the Garden” it’s going to stick out even more prominently. After sitting on the shelf for years (it played festivals in 2008 and was supposed to be released that year) and reportedly undergoing some reshoots, this stale drama is finally getting a limited release and will prove just how limited it is to the poor saps who pay to see it.

Tom Hanks, Julia Roberts Seek to Repurpose ‘Larry Crowne’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie stars need certain types of films to keep their star power safe and audiences expect certain things from them, with limitations, to create summer movie comfort. Tom Hanks and Julia Roberts fill the bill in “Larry Crowne.”

Julia Roberts Learns How to ‘Eat Pray Love’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Despite its flaws, the often-beautiful “Eat Pray Love,” starring Julia Roberts, works because it refuses to talk down to its audience. This is the rare “chick flick” that treats its demographic with respect, never becoming the sentimental or manipulative dreck that so many other filmmakers would have delivered from Elizabeth Gilbert’s bestselling memoirs.

Julia Roberts, Clive Owen Shine in Tony Gilroy’s Clever ‘Duplicity’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Writer/director Tony Gilroy (“Michael Clayton”) uses words the same way horror movie directors use blood or action movie auteurs use bullets. His weapon of choice, witty repartee, is delivered wonderfully in the enjoyable, clever, charming “Duplicity,” starring Clive Owen, Julia Roberts, Paul Giamatti, and Tom Wilkinson.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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