Judy Greer

'Halloween Kills' Challenges What We Think We Know About the Franchise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There’s no way around it, horror is one of the most difficult film genres to work within. It constantly needs to be evolving in order to keep up with the ever-growing terror that is living in the 21st century. In a time where you can get taken out by a plague, or simply get shot based on the color of your skin, horror draws the short straw in that it has to come up with something much scarier than real life.

Relative Redemption! On-Air Review of ‘Uncle Frank’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 3rd, 2020, reviewing the new film “Uncle Frank,” now streaming on Amazon Prime.

Finding One’s Self in ‘Where’d You Go, Bernadette’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is something so lovely about a film that unfolds slowly, until the moment occurs when a multi-layered story occurrence takes the breath away. “Where’d You Go, Bernadette” is such a film, portrayed with a magic subtlety by Cate Blanchett, one of the finest film actors working. She lives a life that is broken, but not in ways we suspect.

Rebooted ‘Halloween’ Sequel Offers Nothing New in 2018

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – At this point, the “Halloween” franchise is looking as tattered and tired as Michael Myers old William Shatner mask… fraying around the edges and on the verge of falling apart. The 2018 “reboot” sequel brings back former scream queen Jamie Lee Curtis as Laurie Strode, along with original Michael Myers, Nick Castle.

Strange ‘15:17 to Paris’ Can’t Make the Connection

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – What’s up with Clint Eastwood, and why in the Sam Hill did he attach himself as director to this film? Also, why was the decision made to use the actual rescuers as the actors in a true terrorist train incident? Nothing adds up in the strangely disconnected “15:17 to Paris.”

‘War for the Planet of the Apes’ Delivers Old Hollywood Glory

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Since the Golden Age of cinema, theaters have tried countlessly to deliver up big budget films. Summer is here and the public is showing that they are cooling off these blockbusters, no longer fooled by the thought that cost equates to quality. “War for the Planet of the Apes” shows us that blockbusters may still be redeemed by channeling some Old Hollywood magic.

Lily Tomlin Fuels the Journey Depicted in ‘Grandma’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a circumstantial and frank presentation of abortion in the new Paul Weitz film “Grandma,” and it probably could not have resulted the way it did if the story wasn’t anchored by the great Lily Tomlin. She portrays the title character, helping her granddaughter get to the procedure.

A Perfect Paul Rudd, Michael Peña Bring Often-Overlooked Humor to ‘Ant-Man’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In 1989, Rick Moranis played a scientist father in “Honey, I Shrunk the Kids” who accidentally shrinks kids to the size of insects. But dating back to a first appearance in 1962, Marvel Comics first published the Ant-Man character. His persona was the superhero alias of the scientist Hank Pym after inventing a substance that allowed him to shrink himself.

More Than a Popcorn Flick, ‘Jurassic World’ Makes a Climactic Comeback Worth Making

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Blockbuster films are obsessed with bigger, louder and faster. They often think they need to spend more money to outdo what they’ve done before – especially when coming from a beloved original like “Jurassic Park”.

Awe Factor is Sorely Lacking in ‘Tomorrowland’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

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