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Joaquin Phoenix

Spike Jonze’s ‘Her’ is Masterful Commentary on Connection

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

How do we connect with other people? Why do we often push away those we need and stay with those we don’t? Why do we hold on to relationships long after they have stopped working? Is a physical relationship with no intellectual or emotional component somehow more valuable than one that can never be person-to-person but engages on a deeper level? And how do the ways we deal with love and loss impact the way we look at the rest of the world?

Meandering ‘The Master’ Serves Up Powerful After Effects

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – ‘The Master’ is the type of film that invites days of contemplation. It is a film about America, but only a certain type of American. It is a film about the need to belong, but in the end it separates all its characters away from each other. Lead actors Philip Seymour Hoffman and Joaquin Phoenix radicalize writer/director P.T. Anderson’s strange alchemy.

Stunning Ambition Drives P.T. Anderson’s ‘The Master’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

Joaquin Phoenix, Casey Affleck Annoy in Worthless ‘I’m Still Here’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Is “I’m Still Here,” the story of Joaquin Phoenix’s attempts to leave behind his acting career and try to make it as a hip-hop star, an elaborate piece of performance art or a documentary about an identity crisis of a man committing professional suicide? The problem is that the answer is irrelevant. Either way, “I’m Still Here” is grating, boring, and completely without value.

Joaquin Phoenix, Gwyneth Paltrow Shine in Excellent ‘Two Lovers’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – How many men have missed out on a great relationship because they were chasing a romantic vision largely of their own making? James Gray’s excellent “Two Lovers,” the film that Joaquin Phoenix has notoriously been promoting in a style similar to that of Andy Kaufman, is a wonderful character-driven drama about a man caught between what he has and what he wants.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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