HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Jeffrey Dean Morgan

Geopolitics Aside, ‘Red Dawn’ is Decent Action Movie

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Given the state of the post-9/11 world, and the delicate negotiations between nations, remaking “Red Dawn” posed a considerable risk. But the film takes a ‘“damn the torpedoes, full speed ahead,” approach, and pulls off an adrenaline rush featuring Chris Hemsworth, Josh Hutcherson and Josh Peck.

Real-Life Backstory of ‘The Possession’ More Titillating Than Cinematic Dybbuk Dramatization

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A film marketing itself as being “based on a true story” doesn’t hold the same teeth it once did. With truly original stories a financial high risk for Hollywood and many films leaning toward being based on a best-selling novel, the genre that is based on a true story or “inspired by true events” has increasingly taken creative liberties.

Jane Fonda Misused in ‘Peace, Love & Misunderstanding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Jane Fonda portraying an aging hippie seems like a slam dunk. She was a 1960s hippie at one time, right? Well, it’s obvious she wasn’t the type of hippie personified in “Peace, Love & Misunderstanding,” co-starring Catherine Keener and Elizabeth Olsen. Nobody was that type of of hippie.

Incomprehensible Story, Uninteresting Characters Sink in ‘Texas Killing Fields’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.

Zack Snyder Turns ‘Watchmen’ Into Loud, Disjointed, Brutal Mess

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For years, fans of Alan Moore and Dave Gibbon’s masterful and influential “Watchmen” have been waiting for a filmmaker willing to faithfully and slavishly adapt their favorite graphic novel. Well, we got what we wanted in Zack Snyder’s frame-copying vision of this legendary book, but as someone once said - You should be careful what you ask for because you just might get it.

Hot stories on the Web


Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker