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Jay Hernandez

Freaky Villains is Where ‘Suicide Squad’ Works Best

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGODC Entertainment, feeling the heat from Marvel Studios and the tepid response from “Batman v Superman,” comes back stronger with “Suicide Squad,” an overblown yet psychological comic book film about sociopathic villains who somehow have to save the world.

Strong Cast Makes ‘Bad Moms’ Good for Some Laughs

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Bad Moms” is another raunchy women behaving badly comedy that never met a curse word it didn’t like. But I’ll say this for ‘Bad Moms,’ it’s rebellion comes from a relatable place. What parent hasn’t wondered if they were in some way failing their children in some way by failing to live up to our pinterest levels of perfection?

Something’s Gotta Give With T.I., Matt Dillon in ‘Takers’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The ensemble cast is decent, the story fits the action/adventure essence of the heist film and one of the hottest music stars of the moment, Tip “T.I.” Harris, has a prominent role. Then why is the new film “Takers” such a seen-it-all-before exercise in action blandness? It feels like a total waste of all those resources.

‘Nothing Like the Holidays’ Does Nothing to Stand Out From Christmas Movie Crowd

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – When it was still called “Humboldt Park” and was probably more closely related to Chicago’s thriving Hispanic neighborhood, Alfredo De Villa’s “Nothing Like the Holidays” was probably a lot more interesting than the cookie-cutter dramedy that ended up on the big screen.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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