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Jason Sudeikis

Olivia Wilde Shines in Joe Swanberg’s Excellent ‘Drinking Buddies’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Joe Swanberg’s “Drinking Buddies” has been billed as the Chicago writer/director’s breakthrough largely due to the star power on display in the cast list but the film works not merely because of the notable talents of its cast but a new maturity and wisdom displayed by its creator.

Horrible ‘We’re the Millers’ Wastes Huge Potential

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There was a point in “We’re the Millers” when the story fell off the table like a Slinky from a mountaintop. It’s as if other writers took over from a far superior dark comedy, and injected “heart” and middle age “stripping.” This all adds up to a difficult 110 minutes of lost life time.

Gorgeous Visuals Lift Mediocre Script of ‘Epic’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

“Epic” is the best-looking 3D animated film since “How to Train Your Dragon”. From the very first scenes, it has a mesmerizing visual palette as the natural world comes to life in a way reminiscent of “The Lord of the Rings” and “Avatar.” It’s gorgeous. Sadly, the lurching, generic script doesn’t live up to the look of the film but it’s worth seeing just for the memorable visuals.

Predictable ‘The Campaign’ Hinges on Hilarious Newlyweds Will Ferrell, Zach Galifianakis

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Will Ferrell makes five new proclamations loud and clear: he’s a comic dream-team duo with Zach Galifianakis in “The Campaign,” punching a baby and then a dog are seriously funny, real-life politics should take a lesson from this over-the-top smear campaign, you need one supporting Korean weapon and there’s nearly no such thing as a 100% comedy that delivers on 100% of its comedy.

‘A Good Old Fashioned Orgy’ Can’t Get it Up

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Rarely have so many talented comedians been sucked into a more depressing morass of bad comic timing and worse writing than in the dreadful “A Good Old-Fashioned Orgy,” a movie with a bunch of people I like making a comedy I really, really hate. This movie knows nothing about friendship, sex, or, most importantly, comedy.

Talented Cast Carries Dark Comedy of ‘Horrible Bosses’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There’s a theory that a film that should be judged based on how well it succeeds at what it attempts to do. If it’s a comedy, does it make you laugh? “Horrible Bosses” has some issues but it is an undeniably funny movie. With stellar comic timing from the entire ensemble and a dark streak of edgy humor with just enough wit to make it not seem cruel, this is one of the straight-up funniest movies of the year.

Owen Wilson, Jason Sudeikis Skate By in ‘Hall Pass’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The Farrelly Brothers’ “Hall Pass” is a near-miss for the directors of “There’s Something About Mary” and “Dumb & Dumber” that features enough laughs to remember when the boys were in their prime but ultimately doesn’t come enough together to get them back to it. With Owen Wilson delivering a pretty lazy performance but “SNL” star Jason Sudeikis balancing it out with a nearly-great one, “Hall Pass” is a hit-and-miss affair that falls too often on the wrong side of that comedy corridor.

Drew Barrymore, Justin Long Fall Short of ‘Going the Distance’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Drew Barrymore no doubt is working hard to become Queen of the Romantic Comedy. She has done over ten of them, more if you count “Bad Girls.” (kidding) When recycling themes even the best of them can get redundant when seeing the same actress involved. “Going the Distance” is not even among the best of them.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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