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Jason Blum

No New Frights in Store for ‘Happy Death Day’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Happy Death Day” has a “Groundhog Day” gimmick, but that’s about it, offering essentially an ‘80’s style slasher flick with the hope that with a little cosmetic window dressing will help it appeal to an audience in 2017… Live, Die, Repeat. That’s all this film offers with precious few improvements to justify its existence.

Despite Same Stale Producer, ‘The Gallows’ a Refreshing Horror Original From New Filmmakers

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We all know dramatic films win most of the awards, comedies are hit or miss and horrors often don’t deliver the scares they promise. The problem with the horror genre lately is Hollywood is afraid to go against a “proven” formula (for financial reasons) and really think outside the box.

The Worst Horror Film of 2014, ‘Ouija’ is ‘Mama’ From 11 Narcoleptic Producers

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Out of respect for the filmmakers and actors, I don’t walk out on films. I hold true to that even when I know in the first 10 minutes the film’s not for me. Perhaps the second act could surprise me. Maybe the whole film is a flop but it redeems itself with shock and awe in the last 5 minutes.

Oversimplified ‘Paranormal Activity 4’ Insults Your Horror Intelligence Amid Waning Franchise

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Following the first “Paranormal Activity” in 2007, which is most profitable film of all time based on return on investment, filmmakers Jason Blum, Oren Peli and Henry Joost have made a killing for Paramount Pictures.

The Most Scary Film of 2012, ‘Sinister’ is Both a Voyeur’s Heaven & Hell

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – We have forgotten what it’s like to be scared by an actually scary movie. “Sinister” – from producer Jason Blum (“Insidious” and all four “Paranormal Activity” films) – is the first film in 2012 to remind us.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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