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James Remar

‘Papa Hemingway in Cuba’ is Sadly Inauthentic

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Getting the opportunity to trod upon the very ground that Ernest Hemingway once trod must have been a heady experience for the producers of “Papa Hemingway in Cuba.” But location simply isn’t enough if such a literary legend is to come to life.

Goofy ‘The FP’ is Geared For Manic Midnight Movie Goers

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “The FP,” playing in midnight shows this weekend at Music Box and in various arthouse theaters around the country, is a hard movie to put your finger on. Is it just bad like “Birdemic” or “The Room” or is it something “trying” to be bad? Is it a spoof of bad movies or just a bad movie? Does it matter? Either way, “The FP” works for its audience, a rowdy crowd of midnight movie fans willing to put up with over-the-top silliness, bad performances, and general lunacy. It’s essentially an extended short film that doesn’t even justify its short running time but audiences on its wavelength will eat it up.

David S. Goyer’s ‘The Unborn’ is Unoriginal, Uninspiring Mess

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Odette Yustman stars in David S. Goyer’s “The Unborn,” a poorly conceived and produced horror movie that could have just as easily been called “The Un-scary,” “The Uninspiring,” “The Unoriginal,” or “The Unexciting”. Whatever you do, just un-plan to see it this weekend.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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