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James Remar

‘Papa Hemingway in Cuba’ is Sadly Inauthentic

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Getting the opportunity to trod upon the very ground that Ernest Hemingway once trod must have been a heady experience for the producers of “Papa Hemingway in Cuba.” But location simply isn’t enough if such a literary legend is to come to life.

Goofy ‘The FP’ is Geared For Manic Midnight Movie Goers

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “The FP,” playing in midnight shows this weekend at Music Box and in various arthouse theaters around the country, is a hard movie to put your finger on. Is it just bad like “Birdemic” or “The Room” or is it something “trying” to be bad? Is it a spoof of bad movies or just a bad movie? Does it matter? Either way, “The FP” works for its audience, a rowdy crowd of midnight movie fans willing to put up with over-the-top silliness, bad performances, and general lunacy. It’s essentially an extended short film that doesn’t even justify its short running time but audiences on its wavelength will eat it up.

David S. Goyer’s ‘The Unborn’ is Unoriginal, Uninspiring Mess

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Odette Yustman stars in David S. Goyer’s “The Unborn,” a poorly conceived and produced horror movie that could have just as easily been called “The Un-scary,” “The Uninspiring,” “The Unoriginal,” or “The Unexciting”. Whatever you do, just un-plan to see it this weekend.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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