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James Badge Dale

Not Too Many Good Reasons to Experience ‘The Walk’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I am not opposed to dramatic retellings of true events from history, but I think the drama should at least be as entertaining as a PBS documentary on the same subject. “The Walk” tells the true story of a French wire walker and the twin tower World Trade Center in the mid-1970s…when he strung a wire between them, and then proceeded to walk from one tower to the other without a net more than a thousand feet in the air.

‘Parkland’ Starkly Recreates November 22, 1963

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s been close to 50 years since 11/22/1963, the day when a certain American innocence was lost with the assassination of President John F. Kennedy. In time for that anniversary, is the excellent film overview entitled “Parkland.”

‘World War Z’ Reminder of 1950s Apocalyptic Films

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Earnest family man, check. Somber, ineffective bureaucrats, check. Monsters in nature created through mankind’s hubris, check. Unintentional laughs, check and checkmate. That describes every plot of a 1950s end-of-the-world movie treatment, and the latest Brad Pitt film, “World War Z.”

‘Iron Man 3’ Starts Summer with a Mechanized Bang

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Critics and viewers fell in rapturous adoration of the legend of The Dark Knight when Christopher Nolan and his team took the risk of making character-driven superhero movies. To kick off the second phase of the Marvel Universe of films with this weekend’s “Iron Man 3,” Shane Black and the team behind this guaranteed blockbuster have done the same – presenting us with the most human Marvel flick since “Spider-Man 2.”

Michael Fassbender Stars in Riveting, Daring ‘Shame’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Steve McQueen’s “Shame” is a daring examination of isolation and addiction with the best performance of the year courtesy of Michael Fassbender and one that nearly matches it from the always-stellar Carey Mulligan. This is dark, confrontational material of the kind that too few major filmmakers are willing to tackle and it will haunt you for days after you see it. Don’t miss it.

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