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‘Need for Speed’ Also Has Need for a Better Script

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In interviews to promote the movie, Aaron Paul has said that he was chosen by Steven Spielberg himself to be the lead in this high-speed action thriller, while the executive producer was binge-watching “Breaking Bad”. Those are certainly some undeniable cool points that I can’t blame him for mentioning, regardless of how the movie is received. 

‘That Awkward Moment’ Another Dishonest Rom-Com

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “That Awkward Moment” posits its cheeky hashtag of a title concept as one relating to when Friday night flings yield from becoming Saturday daytime couplings (to paraphrase Woody Harrelson’s wisdom in “Friends with Benefits”).

‘A Late Quartet’ is Passionate Symphony of the Human Condition

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Those who know the language of music at its highest levels seemingly know the secret of the world. But as “A Late Quartet” demonstrates, they also possess the same human foibles as the rest of us. Philip Seymour Hoffman, Catherine Keener and Christopher Walken portray maestros at an emotional crossroads.

Clever, Scary ‘Fright Night’ Remake With Colin Farrell

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The word remake sends an understandable chill down the spine of most horror fans. We’ve been subjected to so many retreads and reboots and the batting average of quality has been pathetically low. And yet, there are exceptions including Zack Snyder’s “Dawn of the Dead” and David Cronenberg’s “The Fly.”

‘28 Weeks Later’ is Heart-Palpitating, Seat-Jittering Gore Fest

Rating: 2.5/5CHICAGO – Having sold so many on a first film that’s watertight in warranting a second, a sequel answers to a much higher authority.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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