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An Experimental Experience in Non-Biopic ‘Jimi: All is By My Side’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Jimi: All Is by My Side” shows the Jimi Hendrix experience without having the rights to the Jimi Hendrix Experience. It’s an unofficial rumination that doesn’t have any Hendrix songs, and it focuses on a more day-in-the-life perspective of the rock star, albeit in a career period that would be scooted over through montage in any other film. The endeavor is ambitious in its desires, and stands out most of all for its experimental nature than it does for trying to achieve a truth higher than fact.

‘Need for Speed’ Also Has Need for a Better Script

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In interviews to promote the movie, Aaron Paul has said that he was chosen by Steven Spielberg himself to be the lead in this high-speed action thriller, while the executive producer was binge-watching “Breaking Bad”. Those are certainly some undeniable cool points that I can’t blame him for mentioning, regardless of how the movie is received. 

‘That Awkward Moment’ Another Dishonest Rom-Com

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “That Awkward Moment” posits its cheeky hashtag of a title concept as one relating to when Friday night flings yield from becoming Saturday daytime couplings (to paraphrase Woody Harrelson’s wisdom in “Friends with Benefits”).

‘A Late Quartet’ is Passionate Symphony of the Human Condition

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Those who know the language of music at its highest levels seemingly know the secret of the world. But as “A Late Quartet” demonstrates, they also possess the same human foibles as the rest of us. Philip Seymour Hoffman, Catherine Keener and Christopher Walken portray maestros at an emotional crossroads.

Clever, Scary ‘Fright Night’ Remake With Colin Farrell

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The word remake sends an understandable chill down the spine of most horror fans. We’ve been subjected to so many retreads and reboots and the batting average of quality has been pathetically low. And yet, there are exceptions including Zack Snyder’s “Dawn of the Dead” and David Cronenberg’s “The Fly.”

‘28 Weeks Later’ is Heart-Palpitating, Seat-Jittering Gore Fest

Rating: 2.5/5CHICAGO – Having sold so many on a first film that’s watertight in warranting a second, a sequel answers to a much higher authority.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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