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Imelda Staunton

‘Maleficent’ is All Dressed Up With No Story to Tell

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If “Maleficent” were an actual fairy tale storybook, I’d say it has beautiful illustrations but not much story to tell. As the title character Angelina Jolie is a towering presence with an unforgettable look, but the film itself is all dressed up with nowhere to go. “Maleficent” the movie’s story moves so slowly it makes a sloth look like a cheetah.

‘The Awakening’ with Rebecca Hall Will Put You to Sleep

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There a lot of sighs and longing looks in the new horror film “The Awakening” (and good luck trying to distinguish between the generically-titled “The Apparition,” “The Possession,” and this one — all in theaters). This disappointing attempt at an atmospheric ghost story tries to tell a tale that first feels like a haunting from within.

Clever, Fun Adventures of ‘The Pirates! Band of Misfits’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Pirates! Band of Misfits” has that incredible Aardman energy and elegance of works like “Wallace & Gromit” and “Chicken Run” along with some of the best voice work you’ll hear in an animated film all year.

Aardman Studios Offers a Merry ‘Arthur Christmas’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Aardman Studios, the creators of the irrepressible “Wallace & Gromit” and the witty “Flushed Away” is back with another animated holiday treat, “Arthur Christmas.” Santa Claus and the gang are taken into the modern era, but the cheeky lads/lasses at Aardman can’t help but throw in a bit of whimsy and heart.

Ang Lee’s ‘Taking Woodstock’ Lays Down Too Mellow a Vibe to Be Memorable

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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