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Horror

No New Frights in Store for ‘Happy Death Day’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Happy Death Day” has a “Groundhog Day” gimmick, but that’s about it, offering essentially an ‘80’s style slasher flick with the hope that with a little cosmetic window dressing will help it appeal to an audience in 2017… Live, Die, Repeat. That’s all this film offers with precious few improvements to justify its existence.

‘Get Out’ is Funny, Scary & Tells Us About Us

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When he got his chance, writer/director Jordan Peele (“Key & Peele”) completely understood what he had to do – combine his skewered hilarity, love of horror movies and true social conscience, and put them all into one great movie. Ladies and germs, “Get Out.”

‘Don’t Breathe’ is a Terrifying Sensory Experience

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The horror genre can be a complex creature. The great films can show you the difference between ‘horror’ and ‘terror’. Some horror is all shock and no substance, while terror can be all fear, but no shock. The difference between them is so nuanced that only a skilled director, like Fede Alvarez, can show you the difference in his latest film, “Don’t Breathe.”

Gothic Originality in ‘We Are What We Are’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Finding something truly original in the horror genre is rare. The most effective scare tactics are ones that touch the heart of our familiarity and psychosis. Re-imagining a Mexican film from 2010, director Jim Mickle gets right to the gothic heart of it all in “We Are What We Are.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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