Horror

Toni Collette Discovers that Horror is ‘Hereditary’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The classic horror/psychological films continue to chill our souls long after the experience of them. “Hereditary” uses a masterful performance by Toni Collette, and layers it with symbolic commentary and freaky scares to accomplish that lingering discomfort. After viewing it, the cluck of the tongue will never be the same.

No New Frights in Store for ‘Happy Death Day’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Happy Death Day” has a “Groundhog Day” gimmick, but that’s about it, offering essentially an ‘80’s style slasher flick with the hope that with a little cosmetic window dressing will help it appeal to an audience in 2017… Live, Die, Repeat. That’s all this film offers with precious few improvements to justify its existence.

‘Get Out’ is Funny, Scary & Tells Us About Us

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When he got his chance, writer/director Jordan Peele (“Key & Peele”) completely understood what he had to do – combine his skewered hilarity, love of horror movies and true social conscience, and put them all into one great movie. Ladies and germs, “Get Out.”

‘Don’t Breathe’ is a Terrifying Sensory Experience

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The horror genre can be a complex creature. The great films can show you the difference between ‘horror’ and ‘terror’. Some horror is all shock and no substance, while terror can be all fear, but no shock. The difference between them is so nuanced that only a skilled director, like Fede Alvarez, can show you the difference in his latest film, “Don’t Breathe.”

Gothic Originality in ‘We Are What We Are’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Finding something truly original in the horror genre is rare. The most effective scare tactics are ones that touch the heart of our familiarity and psychosis. Re-imagining a Mexican film from 2010, director Jim Mickle gets right to the gothic heart of it all in “We Are What We Are.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Little Women: The Musical

    CHICAGO – The story of “Little Women,” by Louisa May Alcott, has been an American institution since its publication in 1869. The story of four girls-to-little-women during the American Civil War, with their indomitable mother holding down the household while their father is away in the war, was a perfect candidate to become a Broadway musical. The Brown Paper Box Co. (BPBCo) is currently presenting a brilliant adaptation of that musical for the storefront stage, and its emotion, music craft and energy is nothing sort of a triumph… this small theater company that could does it again. The show has various evening/matinee performances at the The Strawdog Theatre in Chicago through February 9th, 2018. Click here for more details, including ticket information.

  • Deadbeat2

    CHICAGO – Not many web series start out as music videos, but the new online (YouTube) drama “Deadbeat 2” was just that. Created, written and directed by Danny Froze, the made-in-Chicago story recently premiered episodes five and six in the series, which features actor Kiwaun Stoutmire in the lead role of Ronnie.

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