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Hilary Swank

Feminism Humbles Tommy Lee Jones in Heartfelt Western ‘The Homesman’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In Tommy Lee Jones’ passion project “The Homesman,” the wild west provides a vivid setting for a battle in man’s endless war against women, as the film firmly occupying a genre strictly known for cowboys and pioneer machismo. It’s a sorrowful western from actor/writer/director Jones that often shines in its twilight, hoping to slightly reconcile the maltreatment unleashed on half of the world’s most powerful species.

Shallow, Garish ‘New Year’s Eve’ Ruins Your Holiday

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “New Year’s Eve” is so garish and manipulative that it doesn’t really qualify as a film – it’s a product, no more an actual movie than a Hallmark card is a piece of poetry. It is corporate junk at its worst, so shallow that it’s almost remarkably thin, as if director Garry Marshall were trying to win a contest for lack of subtlety.

Hilary Swank, Sam Rockwell Suffer From a Lack of ‘Conviction’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The United States, with the largest prison population in the Western world, obviously has used the system to incarcerate undesirables in the society, whether they are guilty or not. The access to real justice is played out in the cumbersome “Conviction,” featuring Hilary Swank, Sam Rockwell, Minnie Driver and Melissa Leo.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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