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Hilary Swank

Feminism Humbles Tommy Lee Jones in Heartfelt Western ‘The Homesman’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In Tommy Lee Jones’ passion project “The Homesman,” the wild west provides a vivid setting for a battle in man’s endless war against women, as the film firmly occupying a genre strictly known for cowboys and pioneer machismo. It’s a sorrowful western from actor/writer/director Jones that often shines in its twilight, hoping to slightly reconcile the maltreatment unleashed on half of the world’s most powerful species.

Shallow, Garish ‘New Year’s Eve’ Ruins Your Holiday

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “New Year’s Eve” is so garish and manipulative that it doesn’t really qualify as a film – it’s a product, no more an actual movie than a Hallmark card is a piece of poetry. It is corporate junk at its worst, so shallow that it’s almost remarkably thin, as if director Garry Marshall were trying to win a contest for lack of subtlety.

Hilary Swank, Sam Rockwell Suffer From a Lack of ‘Conviction’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The United States, with the largest prison population in the Western world, obviously has used the system to incarcerate undesirables in the society, whether they are guilty or not. The access to real justice is played out in the cumbersome “Conviction,” featuring Hilary Swank, Sam Rockwell, Minnie Driver and Melissa Leo.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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