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Hayden Panettiere

Ryan Reynolds, Julia Roberts Trapped in Dull ‘Fireflies in the Garden’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – It’s always risky for a screenwriter to craft a film about a family of writers in that when the result is a script so generically awful as that for “Fireflies in the Garden” it’s going to stick out even more prominently. After sitting on the shelf for years (it played festivals in 2008 and was supposed to be released that year) and reportedly undergoing some reshoots, this stale drama is finally getting a limited release and will prove just how limited it is to the poor saps who pay to see it.

Wes Craven Returns to Form With Entertaining ‘Scre4m’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Wes Craven’s legendary franchise returns this weekend with a decade since its last installment and to a genre that has been almost entirely bereft of creativity since its director started to lose his prominence as one of its best. Can “Scre4m” rejuvenate the slasher genre like the first film did or will it fall victim to the rule that horror sequels almost always suck?

‘I Love You, Beth Cooper’ Inspires Hatred For the High School Genre

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In what could be the worst mainstream release of the summer, “I Love You, Beth Cooper” wastes talent, production values and ultimately time in a cliché-ridden mess that produces little or no real love.

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  • Rookie Blue 2012

    CHICAGOABC’s “Rookie Blue” may be the biggest TV hit with the least amount of press. Perhaps because it’s a Canadian import or because it’s a summer series but the show never makes magazine covers or even highlight articles in entertainment magazines. But it’s developed into a pretty solid cop show, as evidenced by the tight, well-made third-season premiere with a great guest appearance from William Shatner.

  • CHICAGO – There are some talented people starring in TBS’s new sitcom “Men at Work,” another attempt to grow the budding cable network’s brand as a home for comedy.

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