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Hank Azaria

Notoriety Triggers the Breaking Point in ‘Lovelace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

Fate Doesn’t Fail Them Now in ‘Happy Feet Two’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Dancing animated penguins, a tradition dating back to Disney’s “Mary Poppins” and brought to further life in the first “Happy Feet” movie, finds more stepping pep in “Happy Feet Two.” Robin Williams and Elijah Wood return to lend their vocal talents in this enjoyable sequel.

Only the Kiddies Will Connect to ‘The Smurfs’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There is nothing wrong with “The Smurfs” that a thousand volts of electricity couldn’t cure. It is well made, looks good in the optional 3-D and has a competent cast trying their hardest. What it lacks is a spark, either of nostalgia or a fresh update, as it meanders with the seen-it-all-before template.

‘Hop’ is a Limp Skip, Jump For Russell Brand

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – A definitive cinematic exploration of the Easter Bunny story is precisely what the world is missing. Right? Anyway, the folks behind “Hop,” featuring the voice of Russell Brand as the rascally rabbit, has produced this heretofore missing piece of the film canon.

Anne Hathaway, Jake Gyllenhaal in Unbearable ‘Love and Other Drugs’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Love and Other Drugs” celebrates everything that is wrong with America, wrapped in a package with two “it” stars doing a disservice to their emerging careers. The love depicted is random and somewhat damaged. The drugs are simply a cynical proclamation on how great Big Pharma is.

‘Night at the Museum: Battle of the Smithsonian’ is Predictable, Clustered Drivel

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The sequel “Night at the Museum: Battle of the Smithsonian” is, presumably, an effort by director Shawn Levy (“Night at the Museum” in 2006 and “The Pink Panther”) and writers Robert Ben Garant and Thomas Lennon (who both wrote the first film) to weave together an exciting and educational film.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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