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Guy Pearce

Impulsive, Curious Tale of Dystopia in ‘The Rover’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –There is a profound interest in impulse within the work of Australian filmmaker David Michod, whose number of features finally reaches two with his anticipated followup to “Animal Kingdom,” “The Rover.” Even his co-writing work for Joseph Gordon-Levitt’s life-crasher movie “Hesher” is indicative of a storytelling force jazzed by that which is abrupt and unexplainable, and without worry of how polarizing these weirdo choices may be.

‘Iron Man 3’ Starts Summer with a Mechanized Bang

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Critics and viewers fell in rapturous adoration of the legend of The Dark Knight when Christopher Nolan and his team took the risk of making character-driven superhero movies. To kick off the second phase of the Marvel Universe of films with this weekend’s “Iron Man 3,” Shane Black and the team behind this guaranteed blockbuster have done the same – presenting us with the most human Marvel flick since “Spider-Man 2.”

Tom Hardy Leads Great Cast in Disappointing ‘Lawless’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – John Hillcoat’s “Lawless,” based on Matt Bondurant’s “The Wettest County in the World,” is one of the most high profile disappointments of 2012, a film with an amazing cast that suffocates under the weight of an inconsistent script, a boring lead, and a complete lack of narrative drive. Who would have ever guessed that a movie with so many charismatic actors and actresses could ever be so shockingly dull? It’s nearly an accomplishment.

Fascinating Journey to ‘Prometheus’ Makes For Bumpy Ride

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Ridley Scott’s “Prometheus” rides a wave of expectation, anticipation, hype, and an already-building backlash into theaters this weekend and all I have to say is something that most critics hesitate to do – you need to see this for yourself and make up your own mind. Is it the perfect blend of adult, intellectual science fiction and summer action that I was hoping for at the beginning of the season?

Guy Pearce, Maggie Grace in Annoying, Awful ‘Lockout’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The annoying and boring “Lockout” is a pile of aggressive junk masquerading as a good time. Some critics and viewers will pretend that this is a “fun B-movie” just because it has a few over-the-top sequences (that look completely cartoonish), an absolutely ridiculous premise, and a scenery-chewing performance from the great Guy Pearce.

Nicolas Cage, Guy Pearce Find Boredom While They’re ‘Seeking Justice’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Seeking Justice” must have been such a juicy proposition on paper. Director Roger Donaldson is coming off his most interesting film in years (“The Bank Job”), Nicolas Cage is overdue for a quality drama, Guy Pearce is one of our most interesting actors, and the supporting cast includes a number of interesting actors with recent TV hits – Jennifer Carpenter (“Dexter”), Harold Perrineau Jr. (“Lost”), and January Jones (“Mad Men”). The only thing you’ll be wondering during this inert alleged thriller is where it all went wrong.

Ineffective ‘Don’t Be Afraid of the Dark’ From Producer Guillermo Del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Echoing elements of masterful works by Producer Guillermo Del Toro (most notably “The Devil’s Backbone,” “Pan’s Labyrinth”), “Don’t Be Afraid of the Dark” is an incredibly frustrating remake, a film that reminds one of scary movies instead of actually producing scares itself.

Colin Firth, Geoffrey Rush Star in Confident ‘The King’s Speech’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tom Hooper’s “The King’s Speech” has been barreling through the awards season with a number of significant nominations, including six from the Chicago Film Critics Association just today. I understand why. The film does nothing wrong. It features confident production values and good performances but never reaches the peak of excellence for this critic. “The King’s Speech” is a good film that’s been inflated by some viewers to great even if it doesn’t quite deserve the throne.

Guy Pearce Delves Into Corruption in Riveting 'Animal Kingdom'

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The thin line between anarchy and social peace is shriveling into a microscopic blur as sentencing and incarceration become increasingly less effective as a deterrent. The human side of this perspective is explored with an artistic elegance, featuring Guy Pearce in writer/director David Michôd’s “Animal Kingdom.”

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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