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Greta Gerwig

Greta Gerwig Lights Up the Life of ‘Frances Ha’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Greta Gerwig is a gift to the type of film acting that dominates the screen. This beautiful, versatile actor gives poignant energy to her latest title character, “Frances Ha,” a collaboration with indie director Noah Baumbach (“Greenberg”).

Woody Allen’s ‘To Rome with Love’ is Episodic, Choppy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Writer/director Woody Allen continues his film travelogues in “To Rome with Love,” touring The Eternal City with four separate vignettes. An all-star cast – including Jesse Eisenberg, Ellen Page, Alec Baldwin, Penélope Cruz and Woody himself – hit and miss with this varying blend of stories.

PItfalls of Love for Greta Gerwig in ‘Lola Versus’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Greta Gerwig is now being recognized in the movie universe, and has climbed a ladder from micro-budget independent (“Baghead”) to mainstream monstrosities (the “Arthur” remake). She takes the lead role in “Lola Versus,” and anchors a terrific story about “settling down” and the decisions behind that certain time of life.

Whit Stillman’s Wittily Precious ‘Damsels in Distress’ Grows Tedious

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The sly satires of Whit Stillman have cultivated a fan base that appears to consist largely of his fellow peers. Manhattan-based filmmakers such as Wes Anderson, Noah Baumbach and Lena Dunham have cited his subdued comedies as an influence on their own similarly mannerist yet considerably more accessible work. For many moviegoers, Stillman’s brilliantly constructed, emotionally distant pictures are easy to admire but difficult to like.

Russell Brand Tries Too Hard in Lame ‘Arthur’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There are many problems inherent in film remakes, starting with comparisons to the original source. The first “Arthur,” while not a classic, did have a warm, funny story and Dudley Moore’s title performance. The current remake has none of that.

‘The House of the Devil’ is a Trip Back in Suspense Horror

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Halloween is the perfect time to revisit those horror films of youth, lost in the mall theaters or crackling through the VCR in a multiply rented copy. “The House of the Devil” reveres those roots and brings them back to light.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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