Greta Gerwig
Woody Allen’s ‘To Rome with Love’ is Episodic, Choppy
Submitted by PatrickMcD on June 29, 2012 - 3:50pm.![]() Rating: 3.5/5.0 |
CHICAGO – Writer/director Woody Allen continues his film travelogues in “To Rome with Love,” touring The Eternal City with four separate vignettes. An all-star cast – including Jesse Eisenberg, Ellen Page, Alec Baldwin, Penélope Cruz and Woody himself – hit and miss with this varying blend of stories.
PItfalls of Love for Greta Gerwig in ‘Lola Versus’
Submitted by PatrickMcD on June 15, 2012 - 6:15pm.![]() Rating: 4.0/5.0 |
CHICAGO – Greta Gerwig is now being recognized in the movie universe, and has climbed a ladder from micro-budget independent (“Baghead”) to mainstream monstrosities (the “Arthur” remake). She takes the lead role in “Lola Versus,” and anchors a terrific story about “settling down” and the decisions behind that certain time of life.
Whit Stillman’s Wittily Precious ‘Damsels in Distress’ Grows Tedious
Submitted by mattmovieman on April 13, 2012 - 8:08am.![]() Rating: 2.5/5.0 |
CHICAGO – The sly satires of Whit Stillman have cultivated a fan base that appears to consist largely of his fellow peers. Manhattan-based filmmakers such as Wes Anderson, Noah Baumbach and Lena Dunham have cited his subdued comedies as an influence on their own similarly mannerist yet considerably more accessible work. For many moviegoers, Stillman’s brilliantly constructed, emotionally distant pictures are easy to admire but difficult to like.
Russell Brand Tries Too Hard in Lame ‘Arthur’
Submitted by PatrickMcD on April 8, 2011 - 6:49am.![]() Rating: 2.0/5.0 |
CHICAGO – There are many problems inherent in film remakes, starting with comparisons to the original source. The first “Arthur,” while not a classic, did have a warm, funny story and Dudley Moore’s title performance. The current remake has none of that.
‘The House of the Devil’ is a Trip Back in Suspense Horror
Submitted by PatrickMcD on October 31, 2009 - 11:07am.![]() Rating: 3.5/5.0 |
CHICAGO – Halloween is the perfect time to revisit those horror films of youth, lost in the mall theaters or crackling through the VCR in a multiply rented copy. “The House of the Devil” reveres those roots and brings them back to light.




