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George W. Bush

Errol Morris’ ‘The Unknown Known’ Seeks Donald Rumsfeld

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The reason some people fit into government service is fairly well-defined in the latest film by iconic documentary-maker Errol Morris. His profile of ex-Secretary of Defense Donald Rumsfeld in “The Unknown Known” is a tale of history – affected by war, death, torture and justification. The power of government men in suits and what happens when the power is realized flows through Rumsfeld like water through a faucet, and who or what shuts it off, is often determined by the title of the film.

‘Inequality for All’ Becomes a Cry for Democracy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the more underreported stories of the past year is that income inequality – the gap between the wealthiest one percent in the U.S. versus the rest of the population – is at historic highs. When that balance of power is tilted, the result is documented in the new film, “Inequality for All.”

Kevin Spacey Comes Up Aces in ‘Casino Jack’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The halls of the Capitol Building are paved with money. It takes a long time beyond civics class and history to realize that. Kevin Spacey illustrates that concept precisely playing “super lobbyist” and convicted larcenist Jack Abramoff in “Casino Jack.”

Sean Penn, Naomi Watts Revive Valerie Plame in ‘Fair Game’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The key line in “Fair Game,” a distillation of Valerie Plame’s outing as a CIA operative in 2003, is intoned by character actor Bruce McGill, in a scene reminiscent of the “Mr. X” moment in the “JFK” movie. Pointing to the White House and the Bush Administration, he simply says, “there are the most powerful men in the history of the world.”

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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