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Gene Siskel Film Center

Zen and the Art of Cinema in ‘24 Frames’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The legendary Iranian filmmaker Abbas Kiarostami (“Certified Copy”) passed away in 2016, but he left one more meditation on cinema and illusion, in the artistic “24 Frames.” Yes, it refers to the number of still photos that make up a second of film, but in this case it is also Kiarostami’s observations of stillness in motion.

‘I Do’ Tackles Weighty Issues with Tender Insight

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Nothing bugs a critic more than obstacles strategically placed in the path of otherwise happy characters. Without the conspiratorial manipulations of the plot, these people would have no problem leading perfectly content lives. Instead of emerging organically from the characters themselves, the conflict swoops in like a speeding car fresh off the highway.

Ulrich Seidl’s ‘Paradise’ Trilogy Proves Darkly Transfixing

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – What is paradise but a mirage unaccustomed to reality? It hovers over us at all times, tantalizing our minds with illusions of perfection, divinity and eternal harmony. Only when one reaches out with desiring hands does it fade into the ether. No one seeks utopia without setting themselves up for certain disappointment.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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