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Fran Kranz

Joss Whedon & Friends Tackle the Bard in ‘Much Ado About Nothing’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While relaxing and catching his breath after the stressful task of filming “Marvel’s The Avengers,” writer/director Joss Whedon didn’t just drink wine, host parties, and take baths in his money. He decided to use his break to make another movie. Changing gears from one of the biggest blockbusters of all time, Whedon called his friends from TV shows and films he had made in the past and put together an adaptation of one of William Shakespeare’s most beloved works, “Much Ado About Nothing.”

Take a Trip to Drew Goddard’s Brilliant ‘The Cabin in the Woods’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Drew Goddard’s “The Cabin in the Woods” is a brilliant dissection of not just the clichés of the horror film genre but how they have played a role in the darkest corners of our society for centuries. It’s also a damn blast, as fun a time as you’ll have in a movie theater this season (and probably next). It’s one of those rare films that’s just pulsing with energy on so many levels — as genre-loving comedy, as straight-up horror, and as something you’ve simply never seen before. “The Cabin in the Woods” is a great film.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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