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Ezra Miller

Wonderful ‘The Perks of Being a Wallflower’ Captures Teenage Life with Grace

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Stephen Chbosky’s “The Perks of Being a Wallflower,” based on his hit book of the same name, is the most pleasant and accomplished surprise of the year, a delightful, sweet, funny, and moving examination of teenage life that merits comparison to John Hughes and Cameron Crowe.

Oedipus Wrecks Tilda Swinton in ‘We Need to Talk About Kevin’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The mother and son relationship is perhaps one of the most complicated ever invented. In giving birth to an opposing gender, the woman must then deal with a maturation process foreign to her own, with all the potential psychosis attached. Tilda Swinton and Ezra Miller play the game in “We Need to Talk About Kevin.”

Nothing is Real With Andy Garcia, Julianna Margulies on ‘City Island’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – A blue collar worker father who has a secret Marlon Brando obsession (gasp!), a son with an improbable fetish and a daughter who quits college to…strip, this is a normal day-in-the-life in the new film “City Island.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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