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‘The Hobbit: The Desolation of Smaug’ Solidifies Franchise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

Peter Jackson and Bilbo Baggins find their groove in the entertaining “The Hobbit: The Desolation of Smaug,” an improvement over “An Unexpected Journey” in every single department. Whereas the first one suffered from a tumultuous pre-production process and the fact that it was all prologue, “Smaug” expands this universe in ways that are narratively engaging, while also providing enough of that gorgeously shot and perfectly choreographed fantasy action that made “The Lord of the Rings” trilogy such a phenomenon.

‘Real Steel’ Overcomes Harebrained Premise With Heart, Quenching Hollywood Wizardry

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Try selling a friend on paying to see a movie with you about machine-operated boxing where humans control robots for money.

Just call your friend on his Motorola DynaTAC retro brickphone and say: “Hey, Billy! Remember all those swell nights we had as kids when I smoked you every time in Rock’em Sock’em Robots with our two dueling robot boxers mechanically manipulated by us?

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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