Ellen Burstyn

Devil You Say! On-Air Review of ‘The Exorcist: Believer’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 5th, 2023, reviewing “The Exorcist: Believer” a story continuation from the universe of the original film. In theaters on October 6th.

Realistic, Difficult Lives Are Exposed in ‘Wiener-Dog’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO –Director Todd Solondz has made a career out of not shying away from the most uncomfortable negativities of life. From extreme disconnection (“Happiness”) to pedophilia (“Life During Wartime”) to the sad rejection of pre-teen years (“Welcome to the Dollhouse”), Solondz pulls no punches. He achieves that harsh intent yet again in “Wiener-Dog.”

Intoxicating ‘The Age of Adaline’ a Featherweight Fantasy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Age of Adaline” is a beautifully shot featherweight fantasy that remains charming as long as you don’t think about it too hard, or at all.  At one point one character asks another why he loves Adaline, and he replies “because she makes no sense.” The same could be said for this movie.

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

‘Draft Day’ is Daft, Except as an NFL Infomercial

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Kevin Costner has defined a career in sports-themed movies. From the Iowa farmer building a baseball diamond in “Field of Dreams,” to “Bull Durham,” to “For the Love of the Game,” he exemplified game day heroics. Yet being an NFL executive in “Draft Day” isn’t quite as exciting.

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