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Elisabeth Shue

Weak Story Wipes Out ‘Chasing Mavericks’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – After the initial disappointment that “Chasing Mavericks” wasn’t about the pursuit of John McCain archetypes – it’s political season, don’t you know – it was interesting to note that mavericks are water waves, and chasing them means surfing. Hang ten, dudes.

Another Great Jennifer Lawrence Turn Can’t Save ‘House at the End of the Street’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “House at the End of the Street” is the kind of bland, mediocre thriller that’s tough to review in the sense that it’s difficult to put a shoulder shrug into words. How can I turn “meh” into a full review?

Ridiculous ‘Piranha 3D’ Attempts Record For 3D Gore

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – With a record-setting approach to bare breasts and bloodied bodies, Alexandre Aja’s “Piranha 3D” is a ridiculous gore-fest that falls completely flat in terms of character, dialogue, and logic but pops off the screen in the areas in which it really counts for a movie about prehistoric man-eating fish. It’s far-from-perfect and could have been with a few tweaks but “Piranha 3D” is off-the-rails crazy in all the ways that someone buying a ticket to a three-dimensional gore-o-rama wants what’s presented to them to be off-the-rails crazy.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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