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Elisabeth Shue

Weak Story Wipes Out ‘Chasing Mavericks’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – After the initial disappointment that “Chasing Mavericks” wasn’t about the pursuit of John McCain archetypes – it’s political season, don’t you know – it was interesting to note that mavericks are water waves, and chasing them means surfing. Hang ten, dudes.

Another Great Jennifer Lawrence Turn Can’t Save ‘House at the End of the Street’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “House at the End of the Street” is the kind of bland, mediocre thriller that’s tough to review in the sense that it’s difficult to put a shoulder shrug into words. How can I turn “meh” into a full review?

Ridiculous ‘Piranha 3D’ Attempts Record For 3D Gore

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – With a record-setting approach to bare breasts and bloodied bodies, Alexandre Aja’s “Piranha 3D” is a ridiculous gore-fest that falls completely flat in terms of character, dialogue, and logic but pops off the screen in the areas in which it really counts for a movie about prehistoric man-eating fish. It’s far-from-perfect and could have been with a few tweaks but “Piranha 3D” is off-the-rails crazy in all the ways that someone buying a ticket to a three-dimensional gore-o-rama wants what’s presented to them to be off-the-rails crazy.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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