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Elisabeth Shue

Weak Story Wipes Out ‘Chasing Mavericks’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – After the initial disappointment that “Chasing Mavericks” wasn’t about the pursuit of John McCain archetypes – it’s political season, don’t you know – it was interesting to note that mavericks are water waves, and chasing them means surfing. Hang ten, dudes.

Another Great Jennifer Lawrence Turn Can’t Save ‘House at the End of the Street’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “House at the End of the Street” is the kind of bland, mediocre thriller that’s tough to review in the sense that it’s difficult to put a shoulder shrug into words. How can I turn “meh” into a full review?

Ridiculous ‘Piranha 3D’ Attempts Record For 3D Gore

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – With a record-setting approach to bare breasts and bloodied bodies, Alexandre Aja’s “Piranha 3D” is a ridiculous gore-fest that falls completely flat in terms of character, dialogue, and logic but pops off the screen in the areas in which it really counts for a movie about prehistoric man-eating fish. It’s far-from-perfect and could have been with a few tweaks but “Piranha 3D” is off-the-rails crazy in all the ways that someone buying a ticket to a three-dimensional gore-o-rama wants what’s presented to them to be off-the-rails crazy.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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