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Elisabeth Moss

Elisabeth Moss Reigns Supreme in ‘Queen of Earth’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Elisabeth Moss is the ‘Actor of Her Generation.’ She is a true chameleon, and can anchor a lead role while still expressing a twitch of consequence. The subject is depression in “Queen of Earth,” and writer/director Alex Ross Perry is able to honestly portray it through Moss.

Visceral ‘On the Road’ Honors a Great American Novel

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.

Russell Brand, Jonah Hill Rock in Very Funny ‘Get Him to the Greek’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Taking a character who was created as an obnoxious supporting one and giving him his own spin-off movie sounds like a recipe for disaster. Despite generally liking its stars and enjoying “Forgetting Sarah Marshall,” I was dreading the quasi-sequel “Get Him to the Greek”. There were just too many screenwriting pitfalls in which the film could have and should have fallen in.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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