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Diane Kruger

‘Farewell, My Queen’ Paints Seductive Portrait of Encroaching Doom

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Is there any actress in the world today with more seductive and transfixing eyes than Léa Seydoux? She often tilts her head in a direction that allows her to peer up from beneath lowered brows. Stanley Kubrick would loved to photograph her. Yet her radiant orbs are capable of conveying more than mere menace. She can appear frighteningly vulnerable and coldly calculating within the same take.

Liam Neeson Fails to Find Missing Identity of ‘Unknown’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Unknown,” the latest thriller to attempt to turn Liam Neeson into an unusual choice for an action star (a la “Taken” and “The A-Team”), is one of those films that nearly works but falls just short of its audience’s expectations.

Quentin Tarantino’s ‘Inglourious Basterds’ With Brad Pitt Lives Up to Expectations

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – What truly distinguishes Quentin Tarantino’s “Inglourious Basterds” from the cookie-cutter marketplace also makes its impact incredibly difficult to put into words. It’s a film that’s impossible to pin down - a thriller, drama, comedy, action film, and a slice of revisionist history played as modern revenge fantasy. And it’s a total blast.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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