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Diane Kruger

Inflammatory ‘In the Fade’ is the State of Our Now

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – In one of the more truthful and contemporary films of 2017, “In the Fade” is a German/French production about the fallout due to a terrorist act. What it also emphasizes is the generated hatred, frustration and waste of such acts, and its textual story is stunning and distressing.

‘Farewell, My Queen’ Paints Seductive Portrait of Encroaching Doom

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Is there any actress in the world today with more seductive and transfixing eyes than Léa Seydoux? She often tilts her head in a direction that allows her to peer up from beneath lowered brows. Stanley Kubrick would loved to photograph her. Yet her radiant orbs are capable of conveying more than mere menace. She can appear frighteningly vulnerable and coldly calculating within the same take.

Liam Neeson Fails to Find Missing Identity of ‘Unknown’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Unknown,” the latest thriller to attempt to turn Liam Neeson into an unusual choice for an action star (a la “Taken” and “The A-Team”), is one of those films that nearly works but falls just short of its audience’s expectations.

Quentin Tarantino’s ‘Inglourious Basterds’ With Brad Pitt Lives Up to Expectations

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – What truly distinguishes Quentin Tarantino’s “Inglourious Basterds” from the cookie-cutter marketplace also makes its impact incredibly difficult to put into words. It’s a film that’s impossible to pin down - a thriller, drama, comedy, action film, and a slice of revisionist history played as modern revenge fantasy. And it’s a total blast.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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