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dean norris

Vigilante Overkill Defines Ultra-Violent ‘Death Wish’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Man, talk about bad timing. With the Stoneman Douglas shootings still making news, America will now entertain itself with a vigilante doctor shooting anything he sees? Yeesh. Bruce Willis is game in the watchable-but-ultra-violent “Death Wish.”

‘The Book of Henry’ Generates a Different Story Vibe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are some total exasperations in “The Book of Henry”… numerous ones that are almost deal breakers. But somehow, some way, the strange twists and ideas take over, and the film becomes fable-like, examining a different line of story elements that switched from one character to another. Director Colin Trevorrow (“Jurassic Park” reboot) reveals a love in what he is doing in this film, and that also counts for something.

Report Card on ‘Fist Fight’ is a Failing Grade

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – “Fist Fight” is such a thin premise it can’t even sustain its own two minute trailer, much less a feature length film. That premise, what there is of it, is simple – English teacher (Charlie Day) and History Teacher (Ice Cube) get involved in an altercation with a student on the last day of class, at a failing high school known for senior pranks. Teacher Ice Cube gets fired, and blames Charlie Day. So they act like children and settle their differences with a fist fight outside.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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