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David Lynch

Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?

Natalie Portman, Mila Kunis, Darren Aronofsky Stage Mesmerizing ‘Black Swan’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Darren Aronofsky’s “Black Swan” pulses with the kind of energy and life that we only see from cinema a few times a year. With creative expression rarely seen in American film and one of the best performances by an actress that you will ever see, “Black Swan” is a film that resonates for hours and even days after you see it. You won’t easily shake this masterpiece. And you won’t want to.

‘My Son, My Son, What Have Ye Done’ Inspires Genuine Head-Scratching

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – When David Lynch came to Chicago for an “Inland Empire” screening back in 2007, he offered memorable advice to a moviegoer baffled by his work. He said that his audience should meditate not on the “intellectual experience” provided by his films, but the emotional ideas that they conjure.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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